Snake Audition at the Metropolitan Opera
In a unique twist for an upcoming adaptation of Mozart’s Così fan tutte, even snakes must audition to take center stage at the Metropolitan Opera in New York. Zoe Ziegfeld, a skilled carnival performer turned opera actor, is responsible for selecting the perfect snake for the role of the reptilian star.
The Audition Process
Ziegfeld conducts auditions by allowing each snake to slither and wrap around them, ensuring they can comfortably handle the creature under the bright lights. For Ziegfeld, assessing the snake’s demeanor is crucial: “I need to know that the animal is comfortable with people and with what we are doing.”
Meet Princess
In a competitive audition, a boa constrictor named Princess emerged as the winner. This sun-glow boa, characterized by her striking yellow-peach color, will take to the stage in rehearsals on a trial basis. Ziegfeld expressed excitement about Princess, emphasizing that the trial is more about coordinating with the snake than her capabilities. An understudy named Nala, a smaller brown boa constrictor, will also join the production.
A Theatrical Transformation
This iteration of Così fan tutte marks Ziegfeld’s third time portraying the snake charmer at the Met. While adhering to Mozart’s original plot—where Italian soldiers test their lovers’ fidelity—the setting transitions to a vibrant 1950s Coney Island carnival featuring lively scenery and sideshow performers.
Ziegfeld’s Background
Ziegfeld’s background in Coney Island, performing multiple snake-charming shows daily, brought them to this unique role. During initial auditions years ago, Ziegfeld faced restrictions on using live snakes and instead showcased their talents through video and a daring Human Blockhead act.
Ziegfeld believes there is a remarkable similarity between performing at the Met and Coney Island: “It’s a pleasure to entertain. And with snakes, it’s a delight to know that there are people watching who are in awe and those who are terrified.”
The Role of Animals in Opera
The snake auditions were coordinated by Nancy Novograd and her company, All Tame Animals, which has a history of providing various animals for operas. Novograd emphasized that, much like human performers, animals must also exhibit particular behaviors and comfort levels with the talent.
Through this whimsical intersection of opera and carnival, audiences can expect a fascinating blend of art and performance featuring both humans and their scaly counterparts.
