The exhibition “Riding Into Reflection: A Sino-French Exhibition on Equine Culture,” which opened on August 25 at the Jiale Hall of the Prince Kung’s Palace Museum in Beijing, presents a rich juxtaposition of horsemanship and cultural representations between China and France. Curated by Sun Dongning, the exhibit features over 200 items, including more than 60 equine-themed objects from Chateau de Chantilly, and aims to explore the long-standing relationship between humans and horses across two cultures.
The exhibition is divided into three sections: Tracing the Origins, Riding With the Wind, and Unbridled Imagination. This structure takes visitors on a journey from the historical interactions between humans and horses to the various equestrian traditions and artistic expressions. Notably, it highlights the significance of the horse in both cultures as symbols of power, status, and companionship.
The exhibit thoughtfully compares hunting traditions, showcasing the French aristocratic practices alongside the Qing imperial autumn hunting customs. The connection between these practices provides insight into how both cultures have used the horse not only for utility but also to reinforce societal hierarchies.
Overall, the exhibition serves as a cultural dialogue, encouraging viewers to reflect on how both Chinese and French civilizations have understood and represented the horse, creating a narrative that intertwines art, history, and cultural identity. It runs until November 29.
