Welcome, dear readers, to another exciting edition of Sunday Morning Movie! Today, we delve into the captivating world of Jan Švankmajer with his intriguing film, Faust:
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And don’t miss next week’s selection, Fire and Ice:
Reviews of Faust:
BFI shares:
Jan Švankmajer’s Faust marks his first feature-length film and is his most ambitious project since the adaptation of Lewis Carroll’s Alice in 1988. The film artfully blends puppetry, animated models, and live actors, creating a remarkable fusion of Eastern European marionette theatre with the life of post-communist Prague. Rather than portraying Faust as a conventional Romantic hero, Švankmajer suggests that the essence of the Faustian narrative exists for everyone within the chaos of our daily routines.
The Renaissance Collection comments:
While his work is not for the timid, there’s an undeniable charm in the visible seams that bind it all together. The abrupt movements of life-sized puppets and sculpted clay evoke the director’s theatrical roots; his understanding of performance transcends the screen, potentially unsettling viewers more than any of Švankmajer’s eerie creatures.
My thoughts: This film is quite the journey. It may feel slightly drawn out towards the end, but the experience is worthwhile. The alchemical lab scenes are particularly mesmerizing. Another masterpiece from Svankmajer, earning ⭐⭐⭐.
Director:
Jan Švankmajer
Writer:
Jan Švankmajer
Plot (Spoilers!):
The narrative unfolds in Prague with an unnamed man walking home who encounters two peculiar individuals who present him with a map.
Upon returning home, he discovers a black rooster waiting in his living room. After ushering the bird outside, he sits down for a meal and cuts into some bread, only to find an egg nestled inside. Surreal, isn’t it?
Things take an even stranger turn when he notices the two men gazing up at his window. Curious, he examines the map they gave him and decides to venture to the location marked.
Upon arriving, he finds himself in a dressing room where he adorns himself as a magician and adopts the name Faust, committing himself to the dark arts.
This leads him into a whirlwind of bizarre experiences, from alchemical laboratories to encounters with Mephistopheles and even inhabiting a puppet’s body. However, his fortunes take a downturn when he confronts Lucifer and flees the building, only to be struck down by a driverless red car.
Bonuses:
Mike Leigh Has Spent 50 Years Refusing to Compromise. He’s Not Starting Now.
Rusalochka (1968)
AKA The Little Mermaid
This breathtaking Soviet animated adaptation of Hans Christian Andersen’s 1837 tale follows Rusalochka, a water-dwelling maiden who sacrifices her voice for legs in pursuit of love with a human prince. The story artfully transitions between the monochromatic realm of Copenhagen—where tourists believe in love but not mermaids—and the vibrant underwater kingdom, all set to the haunting music of Aleksandr Lokshin.
In conclusion, Jan Švankmajer’s Faust serves as a thought-provoking exploration of human nature and the allure of the unknown. With its unique blend of animation and live action, the film invites viewers on a surreal journey that lingers long after the credits roll. Stay tuned for more cinematic gems in our upcoming features!