Bootsy Collins shared his excitement about reuniting with the J.B.’s musicians for the Superbad soundtrack, stating, “Recording with the J.B.’s cats again felt incredible – beyond sex.” The session reunited him with fellow James Brown alumni, including renowned drummers Clyde Stubblefield and John “Jab’o” Starks, and guitarist Phelps “Catfish” Collins. Bootsy noted the energy was still alive, reminiscent of their days with James Brown, describing it as if they had just gotten off the J.B.’s bus.
He emphasized the collaborative nature of their playing, where everyone contributed spontaneously to the groove created by their guitarist Lyle Workman. Bootsy remarked on the distinct styles of the drummers: Jab’o’s swing and Clyde’s fiery rhythm, likening their interaction to different relationships requiring varied approaches. This harmony among the musicians inspired Bootsy’s distinctive basslines during the session, reflecting a more syncopated, fingerstyle technique as opposed to his signature slap bass style.
While acknowledging modern music’s reliance on technology, he preferred the organic connection with live musicians, emphasizing the importance of vibe and instinct in creating authentic music. He concluded by dismissing overthinking, stating that his best play comes naturally, embodying a unique style developed from his years of experience.
